| 摘要: |
| 目的 补遗并丰富中国传统河工器具文化内涵，探索中国传统河工器具数字传承路径。方法 立足造物文化和当代数字技术视角，采用文献研究和田野调查相结合的方法，对《河工器具图说》所载器物进行考证，重点围绕物质层(形制、结构、功能、材质、色彩)和精神层(风俗、精神、信仰)两个维度对其进行审视、分析，在此基础上探索用三维数字复原以及数字虚拟等方式对其进行抢救性记录、再现和传承。结果 完成了传统河工器具的数字复原，并探索了“人器”交互，实现了古今“对话”。结论 通过造物文化研究和数字化实践探索，展现传统河工器具的艺术之美、实用之美和科技之美。 |
| 关键词: 造物文化 河工器具 数字化保护 完颜麟庆 |
| DOI：10.19554/j.cnki.1001-3563.2021.22.009 |
| 分类号:TB472;J511 |
| 基金项目:2020年度江苏省社科基金项目(20YSC001);2020年度江苏高校哲学社会科学研究项目(2020SJA1794);2018年度教育部人文社会科学研究项目(18YJC760098);2021年度江苏高校哲学社会科学研究项目(2021SJA1812) |
|
| Research and Practice on Digital Protection of River Tools from the Perspective of Creation Culture |
|
YIN Guo-jun, WU Jian-yong, LIU Yang
|
|
(Huaiyin Institute of Technology, Huai'an 223001, China)
|
| Abstract: |
| This paper aims to complement and enrich culture connotation of Chinese traditional river tools and explore digital inheritance path of river tools. Based on the perspective of creation aesthetics and contemporary digital technology, this topic uses the combination of literature research and field investigation to verify the traditional river tools of Illustration of River Tools, focusing on the two dimensions of material aspect (shape, structure, function, material and color) and spiritual aspect (custom, spirit and belief). On this basis, the three-dimensional digital technology is used to record, restore, display and inherit it, so as to realize the interaction between “people and tools” and the “dialogue” between ancient and modern times. Through research on creation culture and digitization practices, this paper shows the artistic beauty, practical beauty and scientific and technological beauty of traditional river tools. |
| Key words: creation culture river tools digital protection WAN YAN Lin-qing |
渝公网安备 50010702501716号