| 摘要: |
| 目的 探究基于指示功能的明式家具端头装饰的设计匠心，揭示明式家具装饰法则的内在根本。方法 从构件端头装饰的实用功能和构件端头装饰的视觉力两个方面探讨明式家具构件端头装饰的作用与意义。结论 研究表明，明式家具构件端头装饰不是为了装饰而装饰的符号主义，而是以实用需求为设计基础的有意义的功能形式。明式家具构件端头装饰艺术是工匠造物过程的实践经验认知和民族文化的完美融合。其造型规律是由实用功能、构件部位及民俗文化来决定的。它不仅是吉祥的装饰元素，传达着高雅世界中文人的审美认知和造物观念，承载着世俗世界中民众趋吉避凶和纳福增禄的愿望，而且还是实用的功能形式，通过构件自身形体结束部分的造型变化来使观者在欣赏和使用过程中更准确地认知家具构件所承载的坐、靠、卧、承及日常生活中的储藏、陈设等具体使用功能。 |
| 关键词: 指示功能 明式家具 端头装饰 设计匠意 |
| DOI：10.19554/j.cnki.1001-3563.2020.14.030 |
| 分类号:TB472 |
| 基金项目:中央高校基本科研业务费专项资金项目（2572017PZ07）；国家艺术基金重点资助项目（2018A031700514） |
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| Thoughts on Motif of End Decoration of the Ming Style Furniture Components from the Perspective of Deixis |
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NIU Xiao-ting
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Material Science and Engineering College, Northeast Forestry University, Harbin 150040, China
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| Abstract: |
| The work aims to explore the design motif of end decoration of the Ming style furniture based on deixis, so as to reveal the intrinsic fundamentality of decoration rules of the Ming style furniture. The function and significance of end decoration of the Ming style furniture components were discussed from two aspects such as utilitarian function and visual force of component end decoration. The research indicates that, the end decoration of the Ming style furniture components is not a symbol of decoration for decoration's sake, but a meaningful functional form based on practical needs. The end decoration art of the Ming style furniture components is the perfect fusion of the craftsman’s practical experience cognition and national culture. Its sculpt law is decided by practical function, component parts and folk culture. It is not only the decorative elements of propitiousness, which communicates the aesthetic cognition and creation concept of the scholars in the elegant world and carries the blessings of the people in the secular world, but also the practical functional form, which enables the viewers to accurately recognize the specific use functions of sitting, resting, lying, bearing, and storage and furnishings in daily life during the process of appreciation and use through the shape change of end decoration of the components. |
| Key words: deixis Ming style furniture end decoration design motif |
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