| 摘要: |
| 目的 文章介绍了鱼纹样在传统木雕花板中的造型艺术及应用技法，重点分析了其构图原则。 方法 结合实物重点分析鱼纹样在木雕花板中典型的散点透视、满与空辩证统一的构图方式及夸张的艺术手法。以《金玉满堂》艺术品为例，从统一与变化、静与动和节奏与韵律三个方面详细阐述形式与内容之间的关系。结论 鱼纹样以其丰富的文化内涵，向世人展示着它独具特色的形态特征和深刻的思想内涵。通过分析传统木雕花板构图可以看出，构图的恰当组织与合理设计在木雕花板的情感表达中具有重要作用，是民间传统装饰艺术不可或缺的重要因素之一，继而启发我们从中国传统鱼纹中去思考现代设计，对传统纹样进行创新，以期为现代家具、室内和服装设计等领域提供理论借鉴。 |
| 关键词: 木雕花板 构图 形式 鱼纹 |
| DOI：10.19554/j.cnki.1001-3563.2019.04.052 |
| 分类号:J524 |
| 基金项目: |
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| Composition of the Fish Patterns Applied in Chinese Traditional Woodcarving Board |
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PAN Ling, TAO Yu-bo, LI Peng
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Northeast Forestry University, Harbin 150040, China
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| Abstract: |
| The work aims to introduce the plastic arts and application techniques of fish patterns in the traditional woodcarving boards, and emphatically analyze its composition principle. The typical cavalier perspective, composition style of full and empty dialectical unity, and exaggerated artistic techniques of fish patterns in the woodcarving boards were emphatically analyzed. Taking the artworks of "Treasures fill the home" as an example, the relationship between form and content was elaborated from the perspectives of unity and change, static and dynamic, as well as rhythm and rhyme. With its rich cultural connotation, the fish pattern shows its unique morphological features and profound ideological connotation to the world. By analyzing the composition of traditional woodcarving boards, it can be concluded that the proper organization and reasonable design of composition, one of the essentially important factors of traditional folk decoration art, play an important role in the expression of emotion of woodcarving boards, and then inspire us to think about modern design from Chinese traditional fish patterns and innovate traditional patterns in order to provide theoretical reference for modern furniture, interior and clothing design, etc. |
| Key words: woodcarving board composition form fish patterns |
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