| 摘要: |
| 目的 发扬工匠精神，运用传统文化，完成具有中国风格的创新设计。 方法 站在批评的视角，以汉斯·瓦格纳的中国椅为例，通过中国椅和明式圈椅的设计对比，指出明式圈椅的器物造型所蕴涵的中国文化基因对西方设计的优势， 同时受到国外发达国家设计进阶过程所秉承的以人为本的设计理念以及所显现出的工匠精神启发，再结合体验设计方法完成主人椅的设计实践。 结论 工匠精神和传统文化基因是当代设计创新的保障和资源， 蕴涵工匠精神的创新设计值得正在成长的中国企业和设计师借鉴与学习。 |
| 关键词: 主人椅 传统文化 设计理念 工匠精神 设计实践 |
| DOI： |
| 分类号:J524 |
| 基金项目: |
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| The Development Path of Master Chair Design |
|
LI Tong
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Tianjin Academy of Fine Arts, Tianjin 300141, China
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| Abstract: |
| It aims at promoting the spirit of artisans and applying the excellent traditional culture to Chinese style sit furniture innovation. It takes Hans Wegner’s Chinese Chair as example. By comparing Chinese Chair with Ming style round-backed armchair, the superiority of the Chinese culture gene, which contained in Ming style round-backed armchair’s shape, over western design is pointed out. At the meantime, inspired by developed-country design development path’s human centered design theory and artesian spirits, Master Chair’s design practiced is finished with the help of experience design methods. Artisan spirit and traditional culture gene are the guarantee and resource of contemporary design innovation. The innovative design laws which values craftsman spirit deserves to be studied by developing Chinese enterprises and designers. |
| Key words: Master chair traditional culture design concept artisan spirit design practice |
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