| 摘要: |
| 以惠山泥人中手捏戏文为研究对象，分析了其造型比例、色彩纹样、开相妆銮和构图形式的装饰特征，论述了手捏戏文充分运用泥塑的特点，用静态的方式惟妙惟肖地表现出戏曲中最具代表性人物和片段的动态瞬间。在此基础上，提出了手捏戏文运用潇洒写意的艺术手法来刻画造型，细节上又追求江南水乡特有的精致细腻的美感，构图上选择平行稳定的形式，体现出民间艺人们淳朴的乡土气息。 |
| 关键词: 惠山泥人 手捏戏文 捏塑彩绘 |
| DOI： |
| 分类号:J523.5；J525 |
| 基金项目: |
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| Research on the Decoration of the Huishan Clay Pinching Operas |
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ZHOU Meng-na, WANG Jia-min, FAN Rong
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Xi′an University of Technology，Xi′an 710054
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| Abstract: |
| Using the language of the clay sculpture decorative characteristic in Huishan clay figurine as its research object, it analyzed the modeling proportion, color, pattern, open face decorative and compositions to form decorative features, discussed making full use of the characteristics of the clay, showing the dynamic moment of the most representative figures and fragments in opera vividly by static mode. On this basis, it put forward the use of natural and unrestrained of artistic techniques to characterize modeling; the details pursuit characteristic of delicate aesthetic feeling of a watery town; choose the form of parallel and stability on the composition, reflect the folk artisans of simple agrestic breath. |
| Key words: Huishan clay figurine the language of the clay sculpture moulding clay figures and colored drawing |
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