| 摘要: |
| 从多角度阐述了异域的佛教纹饰与中国传统图形在造型、 寓意、 审美、 文化等方面的融合性衍变， 针对典型的“莲纹” 到 “宝相花”、“忍冬纹” 到 “卷草纹” 的造型转变， 以及我国祥云纹样对佛教纹饰的深刻影响。分析了中国古代不同历史时期传统图形文化的开放性和吸收性发展脉络， 总结出佛教纹饰与传统图形形式中所包含的文化因素和历史渊源， 以启迪现代设计能够更准确、 更合理地传承和创新传统。 |
| 关键词: 佛教纹饰 传统图形 文化 融合 |
| DOI： |
| 分类号:J525 |
| 基金项目:天津市高等学校人文社会科学研究项目 （20092320） |
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| The Fusion Evolvement of Buddhist Patterns and Traditional Chinese Graphics |
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HAN Jun
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Tianjin University of Technology，Tianjin 300191，China
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| Abstract: |
| From multiple angles, it expounded on the fusion evolvement of exotic Buddhist patterns and traditional Chinese graphics in shape, implied meaning, aesthetics, culture and so on. And it also analyzed traditional Chinese graphic culture’ s open and absorbent development context in different historical periods, viewing of the typical changes in the shape of the "Lotus" to the " Po-phase flower", and the "Honeysuckle pattern " to the "curly grass pattern". At last, in order to inspire modern design to inherit and innovate tradition more accurately and more rationally, it concluded the cultural factors and historical origins in Buddhist patterns and traditional graphic forms as well. |
| Key words: Buddhist patterns traditional graphics culture fusion |
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