| 摘要: |
| 目的 研究在数字媒体艺术环境下，信息的图形化设计的特征。方法 在新时代数字媒体艺术和数字媒体技术普遍发展的情况下，用语言学原理、符号学理论和影像语言中的蒙太奇理论对信息化的图形展开分析，研究信息图形化设计的特征，从数字图形编码类型分析开始，展开对数字媒体艺术环境下图形信息解码的研究。结论 信息图形化已开始逐渐由明确的信息视觉传达发展为内容模糊的信息解码自由开放的状态，信息图形化设计也呈现出在可视化视觉语言的基础上，以图形交互式表现为手段，以主次分明的信息结构、动态的图形组织结构为特点，具有明显的形而上的后现代主义审美色彩。在图形化信息的解码过程中，主体先验图式的主观投射和视觉思维下的移情与同构是其主要的方式。 |
| 关键词: 数字媒体艺术 符号 信息图形化 视觉传达 |
| DOI：10.19554/j.cnki.1001-3563.2020.12.047 |
| 分类号:J511 |
| 基金项目:西安工程大学博士科研项目“丝绸之路服饰图案内涵及视觉表现研究”（107020372） |
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| Information Graphics in the Environment of Digital Media Art |
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FENG Wen-bo
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Xi’an Polytechnic University, Xi’an 710048, China
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| Abstract: |
| The work aims to study characteristics of information graphics design in the environment of the digital media arts. The graphics of information were analyzed and the characteristics of information graphics design were studied based on linguistic principles, semiotic theory and montage theory in image language during the general development of digital media art and digital media technology in the new era. The decoding of graphic information in the environment of digital media art was studied starting from the analysis on the coding types of digital graphics. Information graphics have begun to gradually developed into the free information decoding with fuzzy contents from the explicit information visual communication. On the basis of visual language, the design of graphic information also presents obvious metaphysical postmodernism aesthetic color by means of graphic interactive expression, featuring prioritized information structure and dynamic graphic structure. In the decoding process of graphical information, the subjective projection of subject schema and the empathy and isomorphism in visual thinking are the main ways. |
| Key words: digital media arts symbol information graphics visual communication |
