| 摘要: |
| 目的 以传统家具为例， 探讨在工业设计时代里传统手工艺的价值与意义。方法 在工业时代背景下， 以中国明式传统家具与斯堪的纳维亚传统家具为例进行对比分析， 研究传统手工艺的现代存在方式， 并探讨现代工业设计的理性美学与传统手工艺的感性美学的关系。结论 工业文明的审美与工艺时代的审美并非格格不入， 而是一种反叛与回归， 各种具有强烈手工意义的产品的广泛受宠也充分说明了这一点。而现代工业设计也需要再回头认真看待手工艺的传统， 以获取重新出发的力量。 |
| 关键词: 传统手工艺 工业设计 回归 |
| DOI： |
| 分类号:TB472 |
| 基金项目: |
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| Recurrence of Handicraft in the Industrial Design Era |
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WANG Shi-yin1, WANG Shi-yin1, QIANG Mo2, QIANG Mo2
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1.Guangzhou Acmdemy of Fine Arts， Guangzhou 510006， China;2.Xi′ an Academy of Fine Arts， Xi′ an 710065，China
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| Abstract: |
| Based on the study of traditional furniture， it discusses the value and significance of traditional crafts in the era of industrial design. In the context of the industrial age， with traditional Chinese Ming-style furniture and Scandinavian furniture as an example for comparison， it discusses the modern existence of traditional handicrafts，and explores the relationship between rationality aesthetic of modern industrial design and the perceptual aesthetics of traditional arts and crafts. The aesthetic of industrial civilization is not alien to the crafts aesthetic，but a rebellion and recurrence. In recent decades， a variety of products with strong craft-meaning being widely favored could also prove this point， and modern industrial design also need to step back and look at the tradition of arts and crafts to obtain nutrition for a fresh start. |
| Key words: traditional handicraft industrial design recurrence |
