| 摘要: |
| 以民国时期我国本土书刊装帧设计中西文化交融为启示， 分析了民国书刊封面装帧的主要题材为文字与图文并茂， 归纳了其从呈现传统本土装帧形式逐步演变成中西结合的现代装帧形式， 进而分析了其设计文化内涵表现出浓郁的现代艺术气息； 提出了民国书刊封面设计的审美表现： 传统审美体验表现为体舒与神怡相携， 西艺之美表现为抽象艺术与构成主义相合； 进一步诠释了中西杂糅影响下书刊装饰设计的多样性。 |
| 关键词: 民国时期 本土书刊 设计文化 传统与西化 |
| DOI： |
| 分类号:J524.3 |
| 基金项目:温州市文化工程 （RZ1011058） |
|
| Tradition and Westernization in Cover Design Cultures of Native Books During the Republic Period |
|
LIU Ming-gang
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|
Wenzhou University，Wenzhou 325000，China
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| Abstract: |
| It analyzed the main word and illustrated themes on the books cover binding, summarized the presentations of the bookbinding forms changing gradually from traditional native forms to the modern forms combining Chinese and Western, and furthermore analyzed the cultural connotation in design representing intense modern artistic atmosphere based on the enlightenment of Chinese and Western culture blending in binding design of native books during the Republic Period in China. The aesthetic expression of the book cover design in the Republic Period is proposed: the traditional aesthetic experience is characterized by physical comfort and restful to the spirit coexist, and the beauty of Western arts embodies in consistency of abstract art and constructivism. Finally, the diversity of book decorative designs under the influence of the mixture of Chinese and Western is further explained. |
| Key words: republican period native book design culture tradition and westernization |
